InSoundOut

Who is a dancer when he is not dancing? What defines his/her personality, how can the stripped-down human character be presented on stage as a dancer without dancing?

"Everything that exists owes its existence solely and entirely to sound. Sound holds everything together. Sound is the basis, the shape and the form. In the beginning was the word, and the word was God. It is said that this is how the world began and how creation took shape. Today we would say it into the vast emptiness of space: a sound came and matter took shape." (Dr Peter Guy Manners)

After graduating from the Dance Academy, Máté Mészáros became a member of the Szeged Contemporary Ballet, then went abroad, where he worked with world-famous choreographers such as Ohad Naharin, Wim Vandekeybus, Sharon Eyal, Amanda Miller, Roberto Galvan, Myriam Naisy, Robin Orlin. She was a member of the Belgian physical theatre company Ultima Vez for 6 years and currently works as a freelance creator and invited choreographer. This November she is preparing to present her new production, co-produced by SÍN Cultural Centre and Trafó.

creators

Rapporteur and co-author

László Mádi

Decoration

Máté Mészáros

Light

Zoltán Fogarasi
Máté Mészáros

Professional consultant

David Mikó

Composer

László Mádi

Choreographer

Máté Mészáros

Máté Mészáros: InSoundOut (Central Europe Dance Theatre - K-Arcok)

Related Press Releases

Orsolya Drubina: A shared experience on a shared vibration (Librarius) - 22/09/201 I'm used to encounter discouragement when someone simply doesn't want to grasp the thread. And while I have to tie myself to the music at certain points in time, I do sometimes get stuck with an audience member, taking the time, if only for a few seconds, to exercise courage. Me to be honest enough to accept the offer, and him to accept it.

Krisztina Horeczky: Speaking at (Theatre.net) – 16/05/201 The Central European Dance Theatre (KET) launched in 2015 K-Arcok this time the two guest artists painted a unique portrait of Zsanett Jakab and László Mádi, a member of the company.

Csaba Králl: One face, two faces and many (AND) – 19/05/2017 A LILITH the high school of illusion. A metamorphosis avalanche, in dozens (and more) of chapters. The list goes from Andrea Ladányi to Gergye to Anna Réti (and beyond), all of whom have successfully played these strings in the solo genre in this country. Now they are joined by Csaba Molnár, who offered Zsanett Jakab a long series of situations, roles and role-playing, and she plunged into them with death-defying courage, shaping them in her own image and likeness. It is not Jakab, not his faces that we see, the play has no personal dimension, no private weight, but faces whose authenticity and suggestiveness could not have been achieved without a deep dive into the personality (which was not sprayed).

Turbuly Lilla: Medium 0-24 in (Dance review) – 24/04/2017 The Central Europe Dance Theatre K-Arcok series continues on 28 April with a double presentation. Four members of the company have already performed a solo last season. This time Zsanett Jakab is Lilith-and László Mádi with InSoundOutwill perform at the Bethlen Téri Theatre. We talked to the latter's creative duo.

Péter Márta: Locked to ourselves (Dance review) – 01/05/2017 It seems the K-Arcok the creators and performers of his recent performance have not avoided a personal confrontation - nor, presumably, have the other contributors to the performance.

View Rider

Stage:

12m(?) x 12m(?) (W. x D.)

black ballet carpet

black coverts

the audience is seated in a circle on the stage, so the playing area

It must be 8 m in diameter

5 m hanging height,

hanging a microphone (carried by cable, not live)

Light:

1 profile lamp (ETC 25-50° 750W),

4 pcs 2KW Fresnel + baffle

6 pcs 1 KW Pc + baffle

1 LED MultiPAR (back)

filter: 132, 200

Compulite lightbox

Hang:

adapted to the circular playing field

4 speakers on a stand (or adapted to the space available)

to the edge of the circle stereo line for local mixing

Number of passengers:

1 male dancer

2 technicians (lighting, dressing)

1 assistant

1 choreographer

Local demand:

2 illuminators

1 set of speakers

Stage construction: 4 hours

Stage resolution: 30 minutes

Duration of the presentation: 35 minutes without break

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