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Dorottya Ujszászi graduates from the Győr School of Dance and Fine Arts with the Professional Nívó Award. She has performed in modern evenings at Budapest Dance Theatre, PR-Evolution, Inverse Dance, Badora Company and the Hungarian National Ballet. She is a Jardin d'Europe and multiple recipient of the Fülöp-Viktor scholarship. Abroad, she has danced with Hubert Essakow Dance (UK), Quan Bui Ngoch, - dancer with Les Ballet C de la B - '3art3 Company' (CH). He is a leading competition dancer in the rankings and has become a major figure in the international salsa scene since 2011 with Leon Rose (UK/FR). He has been working on the research and development of CONSLA, a genre of contemporary dance, contact improvisation and salsa, since 2010.

Dorottya Ujszászi is the founder of a new dance style, consla, which combines elements of salsa, contemporary dance and contact dance, which she is now developing with a professional company.


Supported by the Imre Zoltán Programme of the National Cultural Fund.

creators

Choreographer

  • Dorottya Ujszászi

Light

  • Zoltán Fogarasi

Consultant

  • When Attila

Presenters

  • Mariann Hargitai
  • Adrienn Horváth
  • Zsanett Jakab
  • Nóra Palcsó
  • Gábor Ivanov
  • Péter Kovács
  • László Mádi
  • Ádám Frigy

LÉPCSŐ - Central Europe Dance Theatre

Related Press Releases

Csaba Kutszegi: In the addiction phase  (tánckritika.hu) – 03/10/2014 "It doesn't matter who crosses what with what, the important thing is that he knows how to choreograph and has an opinion about the world worth communicating (I don't dare to use those old-fashioned terms "message"). He can think in terms of spatial form, operate with solo and group scenes, confidently counterpoint both in mood and movement, and play skilfully with (or rather on) the dancers' bodies: he spectacularly decorates, enriches and fools the disciplined, ballroom-dance basics with elements and gestures of contemporary dance free of any constraints. The latter is even played on: meaningful, soul-driven dance is shown when and where the dancer (out of professionalism or pleasure) wants to break out of the prescribed rules of dance, while at the same time wanting to abide by them. Because the soul wants to soar, and the body has its limits - perhaps that is the whole point of all dance (and life, but let's not get philosophical...)."
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