{"id":17823,"date":"2025-05-15T13:30:59","date_gmt":"2025-05-15T13:30:59","guid":{"rendered":"https:\/\/cedthu.rwpstaging.site\/?page_id=17823"},"modified":"2025-05-15T13:46:17","modified_gmt":"2025-05-15T13:46:17","slug":"harslet","status":"publish","type":"page","link":"https:\/\/cedthu.rwpstaging.site\/en\/harslet\/","title":{"rendered":"Harslet"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Can the performer get out of his own skin? Can attention cease to be a function of action, is the energy released in static enough to create and sustain attention? How can we simplify and purify the thoughts our imagination generates, and keep the spectator's gaze on us? Can we make them join in?\"<\/p>

The Harslet as an intimate state creates a visual world of representation of the Self, where fantasy, play and suggestion go hand in hand. Neither exists without the other, just as there is no work without the one who dreams it and the one who receives it. The formative image of our inner being is always projected to the place from which, by removing the excess, we can come closer to ourselves.<\/p>

The performance is part of the Imre Zolt\u00e1n Programme.<\/strong><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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creators<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rapporteur<\/h3>